80年代字体
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80年代字体
"Painting should always have some mystery about it."
Alexander Sharpe Ross
Alexander Sharpe Ross was a leading American illustrator in the 1940s and 50s, with his work on the covers of Good Housekeeping, Saturday Evening Post, Ladies Home Journal and Colliers. Along with a handful of key illustrators —Coby Whitmore, John Whitcomb, Al Parker, Norman Rockwell—Ross helped create an indelible image of Americans in the post WWII decades.
In the 1960s, Ross moved dramatically into the fine arts—painting abstracts, surrealists, portraits—always seeking new technique. “Inventive Realism” he called it when pressed for nomenclature, and explained, “My subjects are mainly flowers and dreamlike human figures. Flowers have beautiful shapes that lend themselves to abstraction, and I incorporate new dimensions in them, using the essence of ‘flower’ from memory to create a whole gamut of emotions.”
Ross was awarded an Honorary Degree of Master of Arts by Boston College in 1953. An assignment from the US Air Force took him to Alaska where he painted his impressions of one of American’s foremost frontiers. The award-winning works are now in the permanent collection of the Air Force. In 1969, Ross designed a postage stamp for professional baseball, celebrating the centennial of the Cincinnati Reds.
Born in Dunfermline, Scotland, Ross came to Wilkinsburg, Pennsylvania, as a youth. He was largely self-taught, although he had one year of night school at Carnegie Tech. His first break occurred in 1941 when one of his illustrations was chosen from a roomful of contestants to be a Good Housekeeping cover. The editor, Herbert Mayes, commissioned 130 additional cover illustrations over the next dozen years at roughly $1000 apiece. The covers were of children, mostly Ross’s own who early on learned to model for him. After that, Ross became quite popular as a painter of “clinch” pictures—men and women in romantic postures. His clinches appeared in Saturday Evening Post, McCall’s, Cosmopolitan, and Colliers.
Ross worked in a large variety of media: oils, watercolors, serigraphs, collages, pastels, halftones, and acrylics on gesso. For a time, Ross preferred watercolor “…because of the spontaneous outburst factor. When one is feeling happy, he doesn’t put the feeling aside, but expresses it at once, at the full height of his feelings. That is the way with watercolor.” As one art critic summarized, “The overall impact of Alexander Ross’s painting is one of immense enjoyment of the spectacle of nature. His are assured and happy pictures.”
Ross was profoundly interested in religious art. “It’s one of the most fascinating fields of creation I can think of.” He has created paintings of biblical prophets for the Mormon Church, illustrated three religious books and designed stained glass windows for a Danbury, Connecticut, church. In a major show in the 57th Street gallery, Eric, in New York City, a critic wrote, “It has been said that Ross’s vision resembles that of Renoir and Marie Laurencin, as all three share a passion for nudes, flowers and children. However, this is where the resemblance ends, as Alexander Ross has brought to his compositions an entirely new and very personal interpretation, dynamic but also sensitive, where abstractions taken over from realism in a magic blend of forms and colors.”
Successful watercolorist Fred Whitaker gave a major, published speech in 1980 about Ross’s achievements as an illustrator, likening his work to such famous American illustrators as Remington, Homer and Hopper. “When the story of today’s art epoch is written, there may well be general agreement that the real art contribution of the mid-twentieth century was that of the illustrators and commercial artists. I know of no artist who experiments more than Ross in approach to the mode of presentation; in color, in the manner of ap***ing paint, in his brushing, in the use of new angles of compositional arrangement. His one great fear is that he may become static, even afraid of copying himself.”
图片资料均收集于网络........
那些最美的人儿都活在鲜明的80.90年代 我的青葱的岁月里
这是一副发行于与80年代中期的塔罗牌，全牌共22张大阿卡纳，无小阿卡纳设计。Ansata这个名字应该取自于拉丁文Crux Ansata(有柄的十字)，源于埃及的神秘符号Ankh（安卡安可），生命之符。——来自Anovia
旧漫/复古漫 头像
集合欧洲王室，欧美明星，50--60年代的复古典雅服饰
《那时那你》是首档围绕影视明星的人物传记式影评节目。追忆80年代90年代最经典的影视、最流行的音乐、最知名的明星，寻找几代人共同的记忆，引发观众情感共鸣。内容包括真人出镜主持、影视片段、旁白解说三部分。每期时长20分钟，每周一期。
一部以20世纪90年代北京为背景的喜剧片。影片讲述了一名穷困潦倒电影放映员和他的儿子想通过开盗版片加工厂来致富的故事。这部电影由澳大利亚导演司马优（Sam Voutas）担任编剧和导演，灵感来源于司马优20世纪80年代和90年代在北京成长的经历，以及在这段时期内蓬勃发展的盗版电影业。这部电影依靠众筹获得了部分的拍摄资金，是一部探讨父子关系、道德及作为他人榜样的意义的暖心之作。
《街童》是巴西著名导演赫克托.巴本科第一部获得国际声誉的经典影片，是80年代巴西最好的电影之一，1982年金球奖最佳外语片提名等众多国际性电影大奖。