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Lebanese designer Elie Saab has long been a leading name in haute couture in the Middle East, where his romantic, crystal-encrusted gowns attracted princesses to his Beirut atelier, opened in 1982 when he was just 18 years old. His ready-to-wear line, which launched in 1998 in Milan, heralds the same feminine aesthetic as his couture dresses, with brightly colored silks, chiffons, pearl beading, and embroidered lace. With their Middle Eastern detailing and European sensibility, Saab gowns are also at home on the Hollywood red carpet; Halle Berry famously wore one to pick up her Academy Award in 2002.
STATUS
Critics' Favorite, Established
CLIENTS
Beyoncé, Halle Berry, Charlize Theron, Catherine Zeta-Jones, Queen Raina of Jordan
OTHER PRODUCT LINES
Fragrances, Handbags, Shoes
OWNED BY
Elie Saab
ADDRESS
Elie Saab Building
Beirut Central District 2021 4516, P.O. Box 11-3293
Beirut, Lebanon
961-1-981-1982
WHERE TO BUY
Bergdorf Goodman, Neiman Marcus
RELATED WEBSITES
Wikipedia: Elie Saab (Other)
Style.com: Elie Saab (Media)
Elie Saab (Official)
2013年的香奈儿春夏高级定制,作为巴黎时尚的领军品牌,香奈儿的高定总让人耳目一新,在这一季的高级定制上老佛爷的灵感来自于大自然中的鸟儿,模特们身处于仿佛森林一样的秀场中,老佛爷设计的新廓形Frame Shouders让模特们的肩线更突出俏皮灵活。
图片来源于STYLE.COM
SEPTEMBER 6, 2012
NEW YORK
By Jessica Minkoff
Erin Fetherston may have gone out on a limb booking soon-to-be pop star Alexandra McDermott, just 17, as her lookbook model and presentation entertainment, but she also took a risk with her label's Spring lineup. "I brought in a lot of hardware to balance out the froth and lighter-than-air fabrics," the designer said in a preview. What she meant was that her girly aesthetic got a little tougher. Minidresses were given the body-con treatment while flowy maxi gowns were contrasted with leatherlike bodices. A pink leather jacket decorated with silver floral grommets—the Erin Fetherston interpretation of moto chic—was paired with slick leather leggings. The prints were equally edgy, ranging from a black and white sequined zebra motif to a lipstick pattern made up of lip smooches from all the girls on the designer's team. In the dress category, the highlight was a "snake charmer" sheath number with a crystal serpent embellishment that wrapped around the back from the shoulder to the waist. But overall, the collection's winning look was a slouchy pantsuit in a nude pink hue with lime green trimming. It could very well turn the Fetherston girl into a pant-lover just yet.
http://www.style.com/fashionshows/review/S2013RTW-EFETH
SEPTEMBER 6, 2012
NEW YORK
By Jessica Minkoff
Tadashi Shoji likes to use his travels as inspiration. For Spring, the designer took us on a journey that started in California with the first outfit—a blue embroidered sheath dress that echoed a Venetian tablecloth the designer found at the Rose Bowl market in Pasadena. The warm West Coast weather could also be responsible for two of the collection's more casual looks—lace shorts and breezy trapeze blouses, a little something different for Shoji. From there the range traveled eastward through the Gobi desert, where long dresses in blue, rose, and jade got a patchwork treatment inspired by the caves of Dunhuang. Next was a series of pleated ikat-print dresses that sparked "oohs" and "aahs" from the crowd. Little did they know, those frocks were made from 40 individual pieces of gazar. The final stop was the ancient capital Xi'an, which apparently inspired embellished tulle gowns of the kind that have made Shoji a red-carpet staple. Still, it's the separates and colorful prints that we'd like to see more of in the future.
http://www.style.com/fashionshows/review/S2013RTW-TSHOJI
NEW YORK, September 9, 2012
By Jessica Minkoff
Today's Christian Siriano show felt like an afternoon at the ballet, which boded well for a designer whose often over-the-top gowns are hard to imagine anywhere but on the runway. Inspired by a recent performance of American Ballet Theatre's The Dream, Siriano (himself a former dancer) couldn't resist reinterpreting what he saw onstage as a series of looks for a modern yet elegant woman. The first models graced the runway in pale pink polka-dot cropped pantsuits—what dancers might wear off duty—followed by a party dress in the same pattern topped with a leather jacket. You could call that girl the rebellious ballerina. It was clear in the details—pearl-encrusted bodices and white feathers—that Siriano had done his research. "I got to look at the American Ballet Theatre's costume archives," he said in a preview at his studio. Yet his knack for understanding a ballet dancer extended further than what they wear with their pointe shoes. A pair of ivory palazzo pants and a crisscross halter top would be ideal for any prima's post-performance night out. But the highlight of the show was the finale, when three girls clad in watercolor tulle frocks walked the runway in unison, garnering cheers from the crowd. Siriano said he took his inspiration literally. We'd say in this instance it worked.
http://www.style.com/fashionshows/review/slideshow/S2013RTW-CSIRIANO
MILAN, September 19, 2012
By Nicole Phelps
"She's an aristocratic woman who travels to Provence in a hot-air balloon at the beginning of the last century." Francesco Scognamiglio said before his show tonight. "It's a trip," he added. Scognamiglio is familiar enough with those; he's been off on one esoteric tangent or another for years now. He also makes beautiful clothes—the cotton blouses inset with lace or embroidered with birds that he showed with floor-scraping maxi skirts for Spring were lovely, and suits cut with double-breasted jackets and drop-crotch pants prove he's no slouch in the tailoring department either.
So why hasn't Scognamiglio broken through? This season, at least, we're going to blame his reliance on almost exclusively sheer fabrics. Women at the beginning of the last century wore underpinnings. With his love for lace, Scognamiglio could build a profitable side business making lingerie. Why not? At the very least, the new design challenge might spur thoughts about avenues of growth.
http://www.style.com/fashionshows/review/slideshow/S2013RTW-FSCOG
SEPTEMBER 7, 2012
NEW YORK
By Nicole Phelps
"Something wonderfully excessive felt like the right thing to do right now," Gregory Parkinson said at his presentation. Not that we needed any convincing—Parkinson's 15 dresses were easy to love. Made from three, four, and even five layers of different colored laces, they almost shimmered in the Hudson River haze visible through the windows of the 12th-floor loft in which he showed. The woman who wears one of these dresses won't go unnoticed.
"Labor-intensive" was the term Parkinson used to describe them, pointing to a calloused index finger; and we believe him. But the effect was effortless: simple shifts and slipdresses to the knee or ankle, some fitted like a column and others more A-line. What drew you in were the reverberating colors—bubblegum pink trimmed with aqua; brick red and ocher intermingling with a camouflage print in complementary hues; patchworks of Turkish delight pastels.
Parkinson's dresses are of this moment, but also timeless. While this reporter was chatting with him, Lisa Immordino Vreeland, whose documentary The Eye Has to Travel premieres this weekend, leaned in for a kiss and told him about all the compliments she received on the engagement party dress he designed for her 13 years ago. When she wore it again last week.
http://www.style.com/fashionshows/review/S2013RTW-GPARKINSON
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