still

大片大片的海

孤单是一个人的狂欢。

一个人的世界，
一个人听歌，
一个人走路，
一个人喝茶，
一个人难过，
一个人开心，
一个人自言自语，
一个人自哼自唱，
一个人坐在栏杆上看夜景，
一个人等待月落晨起，
一个人走过风风雨雨，
一个人生活着，
或许很寂寞，
很孤单。
一个人的生活，
忘记了时间，
忘记了存在，
忘记没有忘记的过去。
一个人有种莫名的安全感，
却又有种莫名的寂寞，
以前不*惯的但渐渐的都*惯了。
一个人的精彩，
因为一个人的世界，
只有一个人懂。
一个人的时候，
周边就是自己的天堂，
会感觉世界变宽，
任由自己驰骋。
孤单是一个人的狂欢，
有时候，
孤独，
也是一种美丽。




相关专辑：

你的孤独 虽败犹荣
http://www.topit.me/album/1610061
一个人的世界，一个人的狂欢
http://www.topit.me/album/1259021
Still_一个人☺
http://www.topit.me/album/276281
闭眼呼吸、阳光素描出微笑☺
http://www.topit.me/album/980090
现世安稳 岁月静好
就这样做一个简单的人
http://www.topit.me/album/1119130

现世安稳，

岁月静好。

那些曾经执迷不肯松手的悲喜，

现在看来大概也只是风轻云淡。

何必让自己难过，

我应该要强大到任何事情

都无法破坏我内心的*和。

就这样，

做一个简单的人，

温婉美好，

不沉溺幻想，

不庸人自扰。



相关专辑：


现世安稳岁月静好---------
给这个时代独有的迷人小清新
http://www.topit.me/album/1018658

Still_一个人☺
http://www.topit.me/album/276281

一个人的世界：

病了，一个人扛；

烦了，一个人藏；

痛了，一个人挡；

街上，一个人逛；

路上，一个人想；

晚上，一个人的床……

慢慢地*惯了一个人的生活，

变得沉默、

变得冷落、

没了想理、

不想说、

不想看……




相关专辑

闭眼呼吸、阳光素描出微笑☺

http://www.topit.me/album/980090

Sweet...Still...Sweet...

额

steal from others

Bright star

Bright star! would I were steadfast as thou art--
Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature's patient sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft fallen mask
Of snow upon the mountains and the moors--
No--yet still steadfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.
---John Keats

即将在四月举行首个日本五大巨蛋巡回的东方神起，带来时隔年半的最新专辑《TIME》。专辑集结三张畅销单
东方神起新碟封面
曲（Catch Me -If you wanna）、（STILL）和（ANDROID）的收入曲和新曲，共12首歌曲
据悉，封面分三种，分别以歌曲中的“过去”、“现在”、“未来”为主题。其中“过去”是指中世纪，“现在”是现代都市，“未来”是指无机质空间。这三张专辑的封面均于去年12月在东京拍摄。

Helen Lundeberg was born in Chicago and moved to Pasadena, California, with her family in 1912. She was a gifted child and as a young adult was inclined to become a writer. However, after taking an art class taught by Lorser Feitelson at the Stickney Memorial School of Art in Pasadena, Lundeberg was inspired to pursue a career as an artist.

Along with Lorser Feitelson in 1934, Lundeberg founded Subjective Classicism, better known as Post Surrealism. Unlike European Surrealism, Post Surrealism did not rely on random dream imagery. Instead, carefully planned subjects were used to guide the viewer through the painting, gradually revealing a deeper meaning. This method of working appealed to Lundeberg's highly intellectual sensibilities.

Themes of Post Surrealism continued in Lundeberg's paintings until the 1950s, when she began to explore geometric abstraction. Always based in reality, Lundeberg created mysterious images that exist somewhere between abstraction and figuration. Repeatedly described as formal and lyrical, Lundeberg's paintings rely on precise compositions that utilize various restricted palettes. This creates images that posses a certain moodiness or emotional content unique to her work.

In the 1960s and 1970s, Lundeberg continued her journey through abstraction, exploring imagery associated with landscapes, interiors, still-life, planetary forms and intuitive compositions she called enigmas. In the 1980s, Lundeberg created her final body of work - a confident series of paintings that deal with landscapes and architectural elements. Throughout her 60-year career, Lundeberg imbued her work with a personal vision, exposing the imaginative world of her mind.

Helen Lundeberg's works are included in the permanent collections of the Los Angeles County Museum of Art, the National Museum of American Art, Smithsonian Institute, Washington D.C., the Norton Simon Museum, Pasadena, California, the San Francisco Museum of Modern Art and numerous other public and private collections.

http://www.helenlundeberg.com

Even U Love My Outfit More Then me, Still !

SEPTEMBER 6, 2012
NEW YORK
By Jessica Minkoff

Tadashi Shoji likes to use his travels as inspiration. For Spring, the designer took us on a journey that started in California with the first outfit—a blue embroidered sheath dress that echoed a Venetian tablecloth the designer found at the Rose Bowl market in Pasadena. The warm West Coast weather could also be responsible for two of the collection's more casual looks—lace shorts and breezy trapeze blouses, a little something different for Shoji. From there the range traveled eastward through the Gobi desert, where long dresses in blue, rose, and jade got a patchwork treatment inspired by the caves of Dunhuang. Next was a series of pleated ikat-print dresses that sparked "oohs" and "aahs" from the crowd. Little did they know, those frocks were made from 40 individual pieces of gazar. The final stop was the ancient capital Xi'an, which apparently inspired embellished tulle gowns of the kind that have made Shoji a red-carpet staple. Still, it's the separates and colorful prints that we'd like to see more of in the future.

http://www.style.com/fashionshows/review/S2013RTW-TSHOJI