雕刻印刷

耳机被我扯断了右耳线。于是听音乐时觉得右耳是聋的。
左耳里的音乐怎么也传不到右边。
右耳在安静的想象。

我是个不折不扣的偏执狂。
日期你们拿去。时间你们拿去。下划线你们也拿去。
我要换种方式来刻印这个盎然热情的夏天

生如夏花般的青春，是不是总归会在时光的雕刻下流逝。

By : 空自凝眸

文：属原创未经允许请勿转载
图：来源网络二次加工请自重

粗茶淡饭
携手共进
**淡淡
我愿意成为你妻

生活的苦难
我们把它磨成蜜
我愿意白头偕老

未来的未知
我们让它成为乐趣

带着刻印
抱着宝宝
牵着家人
我们一起扛起这个家

终究你是我 我是你
我们会是老夫和老妻

集古典美与前卫于一身，高贵美与亲和力的结合体
她是上帝一刀刀雕刻出来的孩子，她是坠落人间的天使
她就是奥黛丽 赫本

日本雕版印刷起源于中国早期佛教僧侣印刷宗教符号和文本
在八十一世纪从中国传播到日本
日本当代雕版大师Ray Morimura，他对古**俗和神道的信仰，崇敬和神化的性质可以更好的了解他的作品，包含现代和传统风格，创造出一个独特的观点。

Throughout its long history, Japanese wood block printing developed various styles and schools of thought. One such style which Morimura Ray particularly works within is Ukiyo-e which literally translates as “pictures of the floating world”. In these types of visual stories, landscapes and tales from history and the theatre are favored which is in sharp contrast to many of his contemporaries which favor a more abstract style.

Morimura creates limited editions of 50 prints on thin paper. His work does not look contemporary; it resembles the illustrations found in old fairy tale books. The colors are flat and strong and his work conveys day-to-day activities in a direct, simple way. Ray’s largest influences were earlier Japanese woodblock print masters Shigeru Hatsuyama [1897-1973] and Sumio Kawakami [1895-1972].


http://www.tolmantokyo.com/artists/morimura/index.html