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EXO是韩国S.M Entertainment 2011年12月22日亮相,2012正式推出的组合,分在中国出道活动的M队和在韩国出道活动的K队。EXO这个名字从意为太阳系以外的外部行星EXOPLANET一词中得来,蕴含了他们是从未知的世界来的新星之意。在EXO后添加代表KOREA的K在韩国开始活动,添加代表Mandarin的M在中国开始活动,并有逐步进军全球,将EXO的音乐传遍全世界的抱负。
韩国S.M.娱乐有限公司(以下简称S.M.)
EXO-K&EXO-M(3张)于2011年12月22日,通过S.M.官方主页公开了旗下组合EXO的LOGO及其的两个分队EXO-K和EXO-M,这两组新人男子团体将在同一天的同一时间,分别用韩语和汉语录制相同的歌曲,在韩国与中国两地同时出道,新鲜的出道方式引来了各方好奇与期待的目光。 最初的计划是两个分队分别由八名韩国人和四名中国人组成,暂时称为“M1”和“M2”。为寻找组合主打曲,SM Entertainment于2011年8月到丹麦和挪威举行音乐夏令营活动,动员全世界五十多名作曲家,但都无功而还。 EXO于2011年12月23日0时开始发布出道预告影片和照片,逐次公开一至两名成员;部分成员(KAI、、LU HAN、TAO、CHEN)于12月29日的SBS歌谣大典作首次正式亮相。
中文名:李泰勇
罗马音:Tae Yong
国籍:韩国
星座:巨蟹座
出生日期:1995年7月1日
职 业:SM公开练*生
毕业院校:首尔艺术高中
经纪公司:S.M.Entertainment
备注:是S.M.Entertainment旗下SMROOKIES公开练*生的成员之一
photographer: Seiya Miyamoto
Project partners:
Construction: Daisuke Hasegawa (Daisuke Hasegawa & Partners)
Purpose of the Building: Residential
Structure of the Building: 2-Storey wooden structure
Site Area: 379.58 m2
Building Area: 193.77 m2
Total Floor Area: 226.06 m2
Considering the cold climate in Hokkaido, it didn’t seem to be the most appropriate solution to make a wide open interior space as outdoors, yet, keeping the house shape on the exterior.
We tried to see if we could design a space that would be ‘indoor’ (which was closed in terms of the thermal environment) but would give a feeling of being ‘outdoors’ as a backdrop within the building.
The given condition of making an open indoor space led directly to the idea of making house-shaped indoor rooms. If these house shapes were scattered, it would give a village-like view.
The shape of a house is a code for dividing space indoors and outdoors, and a village is a code that implies outdoors. By using these codes, we thought that an interweaved scenery of indoor and outdoor would be made possible.
After some trials, it seemed that a set of more than 3 house shapes would give a village feeling, which would potentially create a relationship between indoor and outdoor.
If we could cover these entirely with a bigger house shape, this would function as an indoor space in terms of thermal environment.
Eventually, we managed to create a interweaved scenery between ‘indoors’ and ‘outdoors’ by placing 6 house-shaped profiles within one large exterior that envelops the entire place.
One of the six house shapes was made into an outdoor terrace. Indoors, there would be a village-like view using the help of the code for outdoors, inside the building. This kind of control functions to blur the definition of ‘indoors’ and ‘outdoors’, and this is where interweaving takes place.
As a container, we made those big house shapes as interior, but when people actually live there and use the space, the feeling of the interior switches between an indoor space to an outdoor space.
It would only be then that this idea of an interweaved living space would be expressed and perceived.
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