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there is no future in England's dreaming
When there's no future
how can there be sin
we're the flowers in the dustbin
we're the poison in your human machine
we're the future
your future
不悲过去,非贪未来,心系当下,由此安详。
只能在图片里观摩内心憧憬的画面。
好想自由飞翔在蓝天
好想那片无边的原野
好想走在童年的稻田
那些香气弥漫弥漫在心间
像小鸟一样 自在飞翔
如果有一天 你终于长大
我不再是你的 玩具翅膀
你不再是我的 我会永远做你心里的 孩子王
Why do birds suddenly appear
Every time you are near
Just like me, they long to be
Close to you
Why do stars fall down from the sky
Every time you walk by
Just like me, they long to be
Close to you
And we’ll go up, up, up
我们向上,向上,向上
But I’ll fly a little higher
但我会飞去更高一点的地方
We’ll go up in the clouds because the view is a little nicer
飞到云端之上,那里的风景更美妙呢
NEW YORK, February 12, 2011
By Meenal Mistry
No argument, Alexander Wang is one of New York's fashion stars. His latest laurels: a GQ/CFDA menswear award, and the opening of his first flagship just days away. And yet, for the past two seasons, his ready-to-wear collection has received a mixed response from editors who thrive on Wang's buzz and retailers who do gangbusters with his ever-expanding T line.
But with today's show, Wang made a triumphant return to form that injected the sexy, tough, cool-girl attitude he's built his brand on with a heightened sense of luxury. The designer explained in a preview: "We're almost poking fun at decadence and luxury." Almost, and well, really just enough. All the lush, cocoon-y outerwear was clever, not clownish or immature in its hybridizations of bomber jacket-turned-poncho, boyfriend blazer-turned-fur coat, and a tuxedo jacket with puffer sleeves.
You could simultaneously get the jokey comment on the current fur mania with his mink-wrapped sunglasses and boudoir bobbles on high-shine metallic loafers while still thinking it all looked pretty great. And it did. From all those coats to the smart split-up-the-side heavy-ribbed knits paired with glitter drainpipe jeans (perfect for the "Billie Jean" effect on the runway) and a rose-hued satin skirt of slashed ribbons, to his various riffs on the tuxedo for evening.
"We're looking at where can we push our language further," said Wang, noting that his aim was to create a point of difference from his lower-priced lines. You saw that here in pieces that magically morphed from chunky hand-knit to needle-punched angora to satin, a special effect you'd never see in T. That's the result of newly sourced factories in Italy, where Wang will also be producing his shoes. The designer is clearly on a roll, and with the hire late last year of the company's first president, Rodrigo Bazan, whose résumé includes Alexander McQueen and Marc Jacobs International, Wang's future is burning bright. And that's no joke
NEW YORK, September 9, 2012
By Jessica Minkoff
Today's Christian Siriano show felt like an afternoon at the ballet, which boded well for a designer whose often over-the-top gowns are hard to imagine anywhere but on the runway. Inspired by a recent performance of American Ballet Theatre's The Dream, Siriano (himself a former dancer) couldn't resist reinterpreting what he saw onstage as a series of looks for a modern yet elegant woman. The first models graced the runway in pale pink polka-dot cropped pantsuits—what dancers might wear off duty—followed by a party dress in the same pattern topped with a leather jacket. You could call that girl the rebellious ballerina. It was clear in the details—pearl-encrusted bodices and white feathers—that Siriano had done his research. "I got to look at the American Ballet Theatre's costume archives," he said in a preview at his studio. Yet his knack for understanding a ballet dancer extended further than what they wear with their pointe shoes. A pair of ivory palazzo pants and a crisscross halter top would be ideal for any prima's post-performance night out. But the highlight of the show was the finale, when three girls clad in watercolor tulle frocks walked the runway in unison, garnering cheers from the crowd. Siriano said he took his inspiration literally. We'd say in this instance it worked.
http://www.style.com/fashionshows/review/slideshow/S2013RTW-CSIRIANO
To be continued...
We're walking in the air
We're floating in the moonlit sky
當步入黑暗時 唯有放手才能看清曾經擁有過的一切
MILAN, September 19, 2012
By Nicole Phelps
"She's an aristocratic woman who travels to Provence in a hot-air balloon at the beginning of the last century." Francesco Scognamiglio said before his show tonight. "It's a trip," he added. Scognamiglio is familiar enough with those; he's been off on one esoteric tangent or another for years now. He also makes beautiful clothes—the cotton blouses inset with lace or embroidered with birds that he showed with floor-scraping maxi skirts for Spring were lovely, and suits cut with double-breasted jackets and drop-crotch pants prove he's no slouch in the tailoring department either.
So why hasn't Scognamiglio broken through? This season, at least, we're going to blame his reliance on almost exclusively sheer fabrics. Women at the beginning of the last century wore underpinnings. With his love for lace, Scognamiglio could build a profitable side business making lingerie. Why not? At the very least, the new design challenge might spur thoughts about avenues of growth.
http://www.style.com/fashionshows/review/slideshow/S2013RTW-FSCOG
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내 맘은 이리 울적한데
말할 사람이 없다
나도 가끔 활짝 웃고 싶은데
곁엔 아무도 없다.
My heart feels this sad
but I have no one to talk to.
I want to smile broadly sometimes,
but I have no one beside me
같은 하늘아래에 산다면, 언젠간 만나지겠지.
If we live under the same sky, we’ll probably meet some day
I'm loving the whitest of white walls in this location house in London. I'm kinda smitten by the touches of black too. My inspiration files are groaning with images just like these. (OK and a lot of deepest darekest black too.) Good news on my new old house front is that the painters start next week. We'll be painted in time for Christmas .... I hope. Means I have to stop unpacking until each room is done :) You can see what a state my messy office is in on my page. Think of it as a before. Meanwhile this fab home is from the 1st-Option location stable. Delish isn't it?